RFALK / PHOTOGRAPHY
AND OTHER WORKSEST. / ONGOING
← WORKSSKETCHBOOK / 2025

Skissbok 05

2025

Hand-bound A4 sketchbook, made with three different kinds of paper.

A photograph of a closed sketchbook with a plain ochre-brown fabric cover, lying on a dark gridded cutting mat. The cover has rounded corners, small scattered marks and a dark worn patch along its right edge.
An abstract composition on brown paper combining irregular blocks of yellow, red and olive green with broad white painted areas. Loose black lines trace angular shapes and tangled loops across the page, punctuated by scattered black dots.
Overlapping translucent rectangles and angular shapes in charcoal grey, brown and bright orange fill a vertical page. Thin dark outlines intersect the layered forms, creating darker areas where the shapes overlap.
A nearly black painted rectangle covers most of the page, leaving a narrow cream-coloured border. Long, irregular white lines descend through the dark surface, bending, looping and occasionally breaking into smaller marks.
An abstract composition of overlapping rounded and angular forms in pale yellow and blue-green, surrounded by hundreds of small orange-red cross-shaped marks. Darker blue-green spots cluster within the larger shapes, while thin curved lines connect parts of the composition.
A sparse composition on brown paper. Two tall, roughly rectangular white painted areas stand side by side, framed by thin, wavering dark green lines. Horizontal lines fill the lower centre, with small white dots scattered along both sides.
Overlapping rounded, curved and angular shapes are constructed from closely spaced parallel lines in black, orange, red, yellow and brown. The lines change direction from shape to shape, creating a dense central cluster against the plain brown paper.
An abstract composition of diffuse orange, brown and grey washes crossed by thin, looping black lines. Dark ink pools and vertical drips gather around the centre, with small white marks and a single bright red square interrupting the muted colours.
A dense arrangement of overlapping curved and elongated shapes in red, orange, yellow, blue, brown and black. Several forms contain fine parallel stripes, while others are filled with solid colour. A small black circle appears near the upper centre.
Soft-edged black and brown ink blots spread across layered washes of yellow, orange, red and pale green. Thin diagonal lines connect parts of the composition, and irregular pale areas interrupt the darker patches.
An abstract composition of spreading grey, black, orange and red washes. A large dark circular form occupies the upper left, while smaller red and orange circles appear below. Thin black lines, vertical streaks and pale marks cross the layered colours.
A vertical arrangement of translucent green, orange, pink and grey washes overlaid with loose black lines. Tall, narrow forms rise on the left, while angular shapes and a dense dark area extend to the right. A small circular cluster of black lines appears near the lower left.
Numerous soft-edged black ink spots of different sizes are scattered across a pale background with muted red, yellow and green washes. Fine lines connect several of the spots, while a large pale, swirling form occupies the right-centre of the page.
A dense, dark abstract form fills most of the page, covered with hundreds of irregular white dots. Two rounded projections extend across the upper part, while curved red shapes appear within the darker central area. White dots continue onto the surrounding brown paper.
Overlapping rectangular blocks of red, orange, ochre, green, blue-grey, pink and dark brown form a dense vertical composition. Their edges range from sharply defined to softly blended, with occasional thin black outlines and dark ink-like marks.
A dense network of black ink lines, loops, rectangles and hatched shapes occupies the centre of a cream-coloured page. A large striped circular form sits behind the upper left of the drawing, and a small ochre-yellow circle stands out near the centre.
An abstract composition made entirely from fine red parallel lines on brown paper. The lines form overlapping curved and angular bands, repeatedly changing direction and leaving irregular areas of unmarked paper between them.
An abstract black-and-white line drawing on cream paper. Thick dark shapes and numerous rounded rectangular outlines overlap across the page, accompanied by finer grey contour lines and broad curved bands.
An abstract composition of closely spaced red lines on brown paper. Some lines run diagonally across rounded shapes, while others follow nested angular contours, creating layered, maze-like forms around areas of exposed paper.
Fine red and black lines form overlapping geometric and curved shapes across a brown page. Red parallel lines bend into nested angles and arches around a central crosshatched area, while longer black lines extend toward the edges.
An abstract drawing of curved and elongated shapes filled with fine red and black parallel lines. The densest forms occupy the upper half, with smaller striped shapes below. Faint looping pencil lines remain visible across the open areas of paper.
A dense arrangement of overlapping angular and curved forms constructed from fine red and black parallel lines and fields of tiny dots. The marks change direction between adjacent shapes, creating a layered composition against the plain brown paper.
SKISSBOK 05 / 2025RETURN TO INDEX ↗